September 30 2015
Combining disparate elements of electronics (Þórður Kári Steinþórsson, aka ‘Doddi’), clarinet (Áslaug Rún Magnúsdóttir) and Jófríður Ákadóttir’s enchanting voice, Samaris mix glacial electronica and pulselike beats with haunting chanted vocals the lyrics culled from nineteenth century Icelandic poems. “You could say the words have been delicately sewn together and in a way they already have their song, their own melody when you read them” suggests Áslaug. The overall effect is simultaneously ancient and modern – a sensual sound filled with dark spaces and alien atmosphere.
Within months of forming in Reykjavik in 2011, Samaris had won both the Icelandic Músíktilraunir and Kraumur Award, before the international release in 2013 of their two Icelandic EPs as the eponymous ‘Samaris’ further expanded horizons. “We want people to experience something they haven’t experienced before,” they told a curious Dazed & Confused while glowing reviews of the album appeared everywhere from the NME to the FT. Very quickly the original aspiration of “just wearing funny costumes and thinking maybe we could get a gig in a bar in Reykjavik” seemed distant as Samaris moved into the international scene last year, playing European festivals like Sónar, Berlin Music Week, Electric Picnic and a sold out JaJaJa show in London. They released their first full length album, Silkidrangar (translated as ‘Silk Cliffs’) with record label One Little Indian last year and have this year put out a reworked, collaborative, live and experimental extension of it, named Silkidrangar Sessions.